The Seven-Dice Shuffle

Thu, Jun. 4th, 2026 18:00
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Posted by Greg Ross

In a carnival game, you roll seven ordinary dice and then arrange them to form a 7-digit number.

  • If your number is a multiple of 2, you’ll win £2.
  • If your number is a multiple of 3, you’ll win £3.
  • If your number is a multiple of 4, you’ll win £4.
  • If your number is a multiple of 5, you’ll win £5.
  • If your number is a multiple of 6, you’ll win £6.
  • If your number is a multiple of 7, you’ll win £7.

The catch is that you have to announce the prize you’re attempting before you roll the dice. Which prize should you pick?

At first it seems that the £2 prize must be best. If even one of the seven dice produces an even number, you can put that at the end of string and fulfill the condition. This will happen 99.2 percent of the time.

Surprisingly, though, choosing 7 has an even higher success rate, 99.997 percent! “In fact, almost all numbers can be rearranged to make a multiple of 7,” writes James Grime. “But finding the multiple of 7 is the tricky part.” See the paper below for a strategy that will win the jackpot nearly every time.

(James Grime, “The Seven Dice Shuffle,” Recreational Mathematics Magazine 13:22 [June 2026], 95-101.)

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Posted by Ask a Manager

A reader writes:

My company has steadily tightened remote work over the past year from two days remote allowed, to five days in-office with exceptions, to now: mandatory in-office five days a week, eight hours a day minimum, no remote option at all. Any time away from the office requires PTO, sick leave, or caregiver leave. They’re tracking badge swipes and laptop network connection time. Our SVP has said explicitly that “90% compliance is unacceptable.”

Here’s what’s making people angry: we’re all non-supervisory exempt salaried employees. Our work routinely requires long hours during crunch periods. In the past, we could flex those hours. Now if you work 10 hours Thursday to hit a deadline, you’re still required to be in the office a full eight hours Friday. Every two weeks I’m expected to review my hours report with my supervisor and explain any gaps, including detailed explanations of illness or doctor’s visits. We log this in four different systems.

A lot of colleagues are talking about legal action. I’m skeptical, but I’m curious: are there any actual legal issues with requiring exempt employees to work unpaid overtime this way, or with demanding medical explanations for sick time? And is there anything employees can reasonably push back on here, or is this a “update your resume” situation?

Legally, employers can require exempt employees to work whatever hours they want, including what they’re requiring of you (a full eight hours in the office every day, even if you worked 12 hours the day before). The law on exempt workers really only makes you exempt from overtime pay (that’s literally what “exempt” refers to); as long as you qualify to be treated as exempt in the first place, that’s all the law cares about.

Do you qualify to be treated as exempt in the first place? You might not. It’s not uncommon for employers to classify employees as exempt even when they don’t meet the legal requirements for it (which include both a minimum salary and a duties test). So look at that first — because if your job doesn’t actually meet those requirements, then they owe you overtime for all hours over 40 that you work in a week, plus back pay for all the time when they weren’t doing that.

But if you’re correctly classified as exempt, they can require those hours.

The part about demanding explanations for sick leave: maybe, maybe not. It depends on exactly what they’re asking. In general, employers are allowed to ask about why you need sick leave. However, if the reason for your absence is a medical condition that’s protected under the Americans with Disabilities Act (ADA), they’re not allowed to ask you for information beyond questions that are “job-related and consistent with business necessity.” So, for example, if you explained that you were out sick because you were getting dialysis (covered under the ADA), your boss can’t ask a bunch of follow-up questions. But if you were out with food poisoning, that’s not covered under the ADA and legally your boss could nose around into the details of your symptoms if they wanted to. They still shouldn’t, because it’s none of their business and there’s no need for them to know exactly how many times you threw up and whether you also had diarrhea, but legally they could ask.

However, the law aside, you and your coworkers can still push back on this. You can point out as a group that if they want you to work extra hours during busy periods, they need to offer you some equivalent flexibility on their side. (“Need to” doesn’t mean “legally need to,” just “if you want to be a decent employer that retains good employees.”) You can point out that people will be less likely to stay late if they know they won’t get any credit for doing that in terms of their hours the rest of the week, and that people will burn out and not perform as well if they don’t have enough time away from work to recharge. You could also point out that, especially with the scrutiny of any “gaps” for doctor’s appointments, etc., they’re treating you more like non-exempt employees than exempt employees under the spirit of the law (although they may not care since they’re still following the letter of the law), and that people who are treated like trusted professionals are more likely to remain engaged and committed.

Will they care? Maybe. Maybe not. But you can certainly push back on all these things as a group. (And for what it’s worth, one step past pushing back as a group is unionizing.)

If they won’t budge, then yes, this is an “update your resume” situation.

The post can our company make us work rigid hours and explain any gaps? appeared first on Ask a Manager.

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Posted by Ask a Manager

Here are four updates from past letter-writers.

1. Someone I had a near-emotional-affair with years ago is about to be my sort-of boss (#2 at the link)

My update almost eight months later is not the most exciting, but a good outcome. Craig has been friendly in the occasional meeting we are in together but we have not spoken one-on-one at all.

Our company is in the midst of a re-org due to budget cuts and we know that one of the VP positions is getting eliminated. Everyone is suspecting that Craig is returning to his original senior technical role but nobody knows yet exactly what’s happening. Personally I’d be very happy if that happens. Now that time has passed, I am less inwardly awkward about the whole thing, but I would rather not have any added weirdness with a boss-adjacent person.

I read some of the comments on the original post and many echoed the idea that I was young, learning professional norms, and to give myself a little grace, which I really appreciated.

2. My boss won’t let me tell coworkers that I’m pregnant

Thank you and the commenters for your warmth, empathy, and humor.

Shortly after I sent this question in, my boss shared that he had hired someone new for the team, and with that I finally got to share my news with my coworkers. The timing was probably a little tight, but a couple of my coworkers knew the new hire from previous work so I think they hit the ground running.

Lucky for the company and for me, my baby was also not born early; in fact she arrived the day before she was due (insert project management joke here). I’m completely focused on her now, and will see what the future holds for my work in a few months.

3. When should I tell my manager that I’m leaving the country? (#4 at the link)

My situation resolved in a relatively drama-free way. As I was anxiously deciding what to do, and when to tell my manager, I ended up getting told I was being laid off with a fairly generous severance package. I let my manager know of my plan to move overseas in the meeting with HR.

Although I was sad to end my time with that company, and was sad for my coworkers (my whole team got cut), the timing worked out basically perfectly for our move and the severance helped with relocation costs. I was feeling very nervous about the impending move, so I decided to take the layoff/severance as my sign from the universe that it was the right thing to do! So far so good.

4. Is this job opening a scam? (#5 at the link)

Long story short: after that initial call, I never heard back from them again.

But after that initial contact, I remained suspicious, and started to do some of my own research. Their site had a page showing their professional certifications, and I reached out to several of them. They were legitimately members of the provincial safety board. One organization I never heard back from. But the organization that is both the major provincial landscaping association and the administrator for interlocking paver certification wrote me back almost immediately, to the tune of, “No, they’re not currently members in good standing, and we’ll reach out to them to see if they’d like to renew their membership.” They still display that logo on their website to this day. They still do not show up in the landscaping association’s member directory.

Another listed certification turned out to be a proprietary business software method rather than an industry credential.

And although this isn’t necessarily damning, I found out that the business owner is a teenager (which may explain the borderline-hostile tone of a lot of the Google Review responses.)

Everything taken together definitely discouraged me from trying to contact them again. A business that misrepresents its credentials to prospective clients is a business that has shown they will deceive people in other ways and I have no interest in working for them or tying my own reputation to them.

The post updates: the emotional affair, my boss won’t let me tell coworkers I’m pregnant, and more appeared first on Ask a Manager.

Photo cross-post

Thu, Jun. 4th, 2026 11:56
andrewducker: (Default)
[personal profile] andrewducker


I think gym class might be paying off.
Original is here on Pixelfed.scot.

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Posted by Zach Weinersmith



Click here to go see the bonus panel!

Hovertext:
If you disagree, find me a recent source specifically proving Descartes wrong.


Today's News:
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Posted by Ask a Manager

A reader writes:

I’d love to discuss this with readers: once you’ve firmly decided to resign from your job at a future point, what are some enjoyable ways that you’ve suddenly felt free to disengage from some of the job’s annoying aspects? While we’re still “in the saddle” so to speak, we all just doggedly endure so many people, rules, and chores. But when we’ve decided to leave, it can free us to act a bit differently! I think it’s informally sometimes called “departure behavior.”

For example, I’m retiring at the end of this year so I’ve simply stopped engaging with Jane, a responsible but petty and aggressive colleague. She has always been a bit of an empire-builder and a self-appointed pot-stirrer about interpersonal issues, and this year that’s been especially toxic because we’ve both been on the Personnel Committee of our university academic department. Well, last week, Jane emailed me requesting to “talk soon” by phone “about a Personnel matter.” And I just deliberately didn’t reply for a day and a half, then sent a falsely “hurried” reply saying “Just seeing this now, and I have zero time until our next full committee meeting; sorry about that and see you then!”

It was just one small but exhilarating self-extrication! What are your own enjoyable examples?

Readers?

The post what are some enjoyable ways your behavior changed once you decided to leave your job? appeared first on Ask a Manager.

Jaunting out for cultural reasons

Thu, Jun. 4th, 2026 14:41
oursin: Painting by Carrington of performing seals in a circus balancing coloured balls (Performing seals)
[personal profile] oursin

Some years ago I advised a composer who was composing an opera about A Historical Figure about whom I am something of a Nexpert, and I am now on their mailing list and get info on their current activities and broadcasts and so on -

And I was invited to the Private View of this, taking place at a venue which is only a reasonable bus-ride and short walk away.

Also giving me the chance to see a small part of the nearish locality with which I am relatively unfamiliar, and which has its charms.

I am not sure I was entirely enthused by the artworks - there was one installation of ceramics where I wished I had someone there to whom I could murmur that they had an urgent phallic look -

My main problem with the venue, however, was the acoustics - I think it was the kind of space where once you got a certain mass of people conversing it would always have been a bit trying for me and my hearing aids, but combined with the ambient music coming out of the various speakers, not optimal at all. (Though maybe its own soundscape....)

I don't think there was anyone there I knew besides The Composer - mostly of a younger generation and art/music people rather than groves of academe - and I didn't really get into much chat, but I did get 2 admiring comments on the green hair streaks and 1 compliment to my pendant (which I think I got at Wiscon, unless it was 4th St?).

However, I have had a sweet email from The Composer thanking me for coming.

spiralsheep: Sheep wearing an eyepatch (Default)
[personal profile] spiralsheep
Whodunnit: The lone trumper adjacent to my vicinity recently explained that she's not entirely 100% with his current direction, but apparently that's not his fault as she believes he's being effected by satanists, although she didn't manage to explain why this acceptance of satanism isn't his fault. Anyway, more importantly, I've now recreated this bullshit as a running in-joke to mock people who believe conspiracy nonsense. Shortly after The Satanism Explanation was aired, I was in an overlapping group of history fans. We were discussing ancient Macedonia and how Alexander destroyed all Philip II's work and left the Macedonians in a mess, so I said it wasn't Alexander's fault... it was satanists! And now every time somebody in our in-joke circles mentions one of our historical hate-figures someone will respond that his failings weren't his fault because he was being controlled by satanists. Possibly you have to be there to understand how funny the delivery of this running gag is, but I'm so lucky to know so many smart and witty women who make my world a better place.

Earworm danger: I accidentally ended up sharing transport with a group having a 1980s weekend complete with a best [worst] of the 80s soundtrack that I can only hope was intended ironically. Within a few minutes I was in danger of being earwormed by China in Your Hah-yah-yand, and Klingons on the Starboard Bow, warded off by the only marginally better Footloose.

Ferroequinology: I had a chat with the usual bunch of white, male, middle-aged "railway enthusiasts" who told me I shouldn't call myself a trainspotter. I replied that I am definitively a trainspotter because I like seeing specific types of locomotives (and signalling) and nobody should be shamed for innocent interests and enthusiasms. And the delightful upshot of this conversation was that I was invited to a 1980s themed disco that evening (yes, I do have a black belt in the art of talking with strangers on public transport). I was expecting a nostalgic school-disco sort of affair but the "railway enthusiasts" had actually organised a very good live band and a very drinkable bar run by a local micro brewery. My new besties for the evening all proved to be good dancers due to having grown up in the era of Northern Soul and Ska revival music. Although I did garner further evidence for my hypothesis that nobody, however skilled, can dance to Footloose without looking like a white boy from the mid-west at best and a spider on ketamine at worst. And the moral of this story is always to take a polite interest in other people's innocent enthusiasms because dancing the night away with a bunch of ageing gricers in a nice airy marquee is better than sitting alone in an overheated hotel room with the only ventilation being windows that open onto a very climbable roof.

Birbs
02-06 Double the winter maximum number of Jackdaws feeding on my lawn, from 12 to 24.
03-06 Two adorable, learner flyer, juvenile yellow-tinted Blue Tits following their busily generous parent around begging for food.

Peak breakfast pot

Thu, Jun. 4th, 2026 10:10
nanila: (kusanagi: amused)
[personal profile] nanila
I’ve been making overnight oats in jars for the bloke and me since the start of the year, and have experimented with varying ingredients and quantities. I think I’ve finally found the balance I like best, so I’ve carefully documented this below in case I ever stop making them regularly.

  1. Base layer is 3 medium-sized strawberries, chopped into 1cm pieces. For the bloke, 4 tablespoons of oats, for me, 3 tablespoons.

  2. Shake the jar to mix oats and strawberries. This is especially important if using the jumbo oats (as shown here), otherwise I end up adding too much milk.

  3. Add milk to just below the top layer of oats. For him, whole milk, for me, oat milk.
    20260531_110730

  4. Add full-fat Greek yoghurt. For him, 3 heaping tablespoons, for me, 2. This helps to moisten the top layer of oats, and also gives a smooth layer between the oats and the crunchy bits at the top.

  5. Add Linwoods Milled Flaxseed, Sunflower, Pumpkin & Chia Seeds & Goji Berries. Two teaspoons for both of us. I used chia seeds on their own for a while, but I found that I didn’t much care for their crunchy texture and tendency to get stuck in my teeth even after soaking them briefly in water to activate their mucilaginous properties. This mixture is much nicer.
    20260531_111059

  6. Add 3-4 teaspoons of pomegranate seeds. These have the right balance of juice and crunch after the yoghurt layer.
    20260531_111233

  7. Finish with granola. I prefer the stuff that has freeze-dried strawberries mixed in. For him, 2 tablespoons, for me, one.

  8. Put lids on jars, store in fridge until morning. I find these fill me up sufficiently that I’m rarely hungry before lunch, although I often eat a banana around coffee time just to give myself a little boost.
    20260531_111425

(no subject)

Thu, Jun. 4th, 2026 09:46
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] starlady!
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Posted by edinburghcitylibraries

The Blink of an Eye:  artwork by Jane Alexander, Gillian Baxter, Stephanie Dees, Alison McGill, Ray Pattie and Jayne Stokes is on show in the Art and Design Library from 4 to 29 June.

The Blink of an Eye brings together the work of six artists who graduated from Edinburgh College of Art in June 1996. Thirty years later, they have reunited to present a collection of recent artworks celebrating this shared anniversary and reflecting the varied paths taken since they last exhibited together.

Each artist has contributed a statement on their practice.

Jane Alexander writes:

Jane Alexander trained as an illustrator at Edinburgh College of Art before embarking on a career as a novelist and short story writer. She now divides her time between writing, painting, and teaching creative writing at the University of Edinburgh. Her recent works in oils investigate deconstructed landscapes, hovering between representation, invention and discovery. Originally from Aberdeen, Jane has been based in Edinburgh for 30 years.

Detail from a painting showing brushstrokes in various colours.
Jane Alexander – Detail 1

Gillian Baxter writes:

Since studying Drawing and Painting at Edinburgh College of Art from 1992 to 1996, my artistic practice has evolved over recent years to include printmaking and making artists’ books, alongside painting and drawing. This development has been led by my focus on the layers which I observe in nature, in both the natural and man-made landscapes and cityscapes. By using paint, print and pages of books in my artworks, my aim is to explore and convey these layers. I am also interested in the idea of layers as they relate to memory, both the construction of memories throughout life and the fragility of memory, as it can ebb away with old age and illness. Lo-fi printmaking techniques, such as the use of rubber stamps and craft foam, contrast with the pre-planned and considered approach of screen-printing. By exploring the book form, my aim is to create tactile three-dimensional artworks which can be contemplative or playful and intuitive, as a response to the materials used.

A collection of artist books in various formats are photographed from above.
Gillian Baxter – Photograph of artwork

Stephanie Dees writes:

My work predominantly portrays the architecture and city landscape of Edinburgh, a city I studied and lived in for many years. I like to depict the different seasons and times of day in my work. I wish to convey the shifting light and the colour changes through the year and show how this affects the magnificent architecture of Edinburgh. 

From the lush greens and blue skies of an August day during the Edinburgh festival to the skeletal tree against a pale pastel palette of a winter’s afternoon. 

I absolutely loved my time studying at Edinburgh College of Art from 1992 to 1998. Since graduating in 1996 with a BA in painting, I remained at Edinburgh College of Art and did a Masters in Fine Art. On graduating in 1998, I moved to a WASPS’ provision studio and have been painting professionally ever since.

I predominantly show work with the Scottish Gallery, Edinburgh; Red Rag Gallery, Cheltenham; Fidra Fine Art, East Lothian; and White Space Gallery, Totnes. I was elected a member of the Royal Society of Painters in Watercolour in 2002. I am so blessed to have made some lifelong friends during my time at Edinburgh College of Art, and this exhibition is a wonderful opportunity to exhibit our work 30 years on; a chance to celebrate our close lasting friendships and love of art.

A painted view looking up to the Old Town ridge of buildings from Princes Street with the autumal trees of the gardens in between.
Stephanie Dees – The Mound in Autumn

Alison McGill writes:

Alison McGill has been a practising artist based at Wasps Studios in Edinburgh since graduating from Edinburgh College of Art in 1998. Her work is deeply rooted in the Scottish landscape and coastline, drawing particular inspiration from her surroundings in East Lothian. During her studies, she began exploring the combination of wax and oil paint, developing richly impastoed surfaces characterised by tactile depth. This has evolved into a highly refined process of layering, excavation, and reworking, in which melted wax reveals fused colours evocative of geological formations and the elemental contours of the land. While grounded in traditional landscape observation, often informed by chalk pastel studies, her practice increasingly embraces abstraction, guided by the interaction of materials and influenced by aerial photography and geological imagery.

McGill exhibits regularly at The Scottish Gallery, Edinburgh, and has presented numerous solo exhibitions there between 2003 and 2020. Her work has also been widely shown in major annual exhibitions across Scotland, including the Royal Scottish Academy and the Royal Glasgow Institute. She is the recipient of several awards, including the Armour Painting Award for Distinguished Landscape Painting (2008) and the Alexander Graham Munro Travel Award (2003). Her work is held in significant public, corporate, and private collections throughout the UK and internationally.

An abstract landscape scene in tones of blues and greens.
Alison McGill – Into the valley, oil and wax on board 38 x 38 cm

Ray Pattie writes:

Nature is my quiet place, where I feel most grounded. Growing up surrounded by forests and woodland, I developed an early and lasting connection to the natural world from my childhood. 

I am drawn to the delicate beauty of natural forms. I am currently exploring birds as part of this wider study, observing their presence in our everyday lives. These detailed studies feel like the beginning of a deeper conversation with the natural world, and a way of slowly building my own visual language and interpretation of nature. 

I studied at Edinburgh College of Art, an experience that shaped both my practice and perspective. I remain grateful for the time there, and for the talented and generous people I had the privilege to learn alongside.

A side view of a puffin's head drawn against a yellow background.
Puffin by Ray Pattie

Jayne Stokes writes:

I am fundamentally a landscape artist, driven by a desire to explore and record our continually shifting relationship with the environment we inhabit. The places I visit are not simply backdrops; they are active participants in the work, holding stories of change, use, neglect and renewal.

My practice is rooted in observation, walking, gathering and revisiting, allowing time for a deeper understanding of place to emerge. Sustainability sits at the heart of my work, both conceptually and materially. I rarely use virgin materials. Instead, I work with what has already lived a life, objects that have been discarded, altered by weather, or left behind through human activity. These materials are remade, recycled or repurposed, becoming integral to the work rather than incidental. Their previous histories matter as much as the images and narratives they help to form.

A sculpture of a small house on top of a rock made and from found objects is displayed within a bell jar.
Jayne Stokes

The Art and Design Library is located within Central Library. Our opening hours are Monday to Friday, 10am to 8pm and Thursday to Saturday, 10am to 5pm.

Phone us on 0131 242 8040 or email central.artanddesign.library@edinburgh.gov.uk

Are you interested in exhibiting in the Art and Design Library? Email or drop in to pick up an application form.

“Humility”

Thu, Jun. 4th, 2026 06:59
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Posted by Greg Ross

In a certain street are three tailors. The first to set up shop hung out this sign — ‘Here is the best tailor in the town.’ The next put up — ‘Here is the best tailor in the world.’ The third simply had this — ‘Here is the best tailor in this street.’

— John Scott, The Puzzle King, 1899

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Posted by Ask a Manager

It’s five answers to five questions. Here we go…

1. I’m being targeted for increasing our health insurance rates

My boss approached me about how our insurance rates are going up because of my medication. We don’t have HR. I was told how much my biologic shots cost each month and how that’s affecting our rates. It was also brought up in front of another employee.

Now I am feeling like I’m being targeted at work. I’m being left out of meetings, and any time I bring up new ideas or concerns, I am either dismissed or made out to be the issue. This feels strangely targeted and surprising. I’ve had amazing success and interest in the programs that I am over. I am starting to feel like there is pressure on me to find another job even though my work is above and beyond.

Yes, it sounds very much like you’re being treated this way because of your health care costs, and they want you to leave. That’s illegal under multiple federal laws, including the Americans with Disabilities Act, the Employee Retirement Income Security Act, and even HIPAA, all of which make it illegal to retaliate against an employee because of their health care costs.

But legal or not, if your employer wants you to leave, there are a lot of ways they can make your life there very difficult — so you really, really need an employment lawyer to help you navigate this, even if they’re just advising you behind the scenes.

2. I was asked to talk to another volunteer about her attitude

I have been volunteering with an animal welfare organization for about 14 years. Besides animal care, one of my main duties is being at the front desk during our open hours and assisting visitors and adopters when they come in.

We have a newer volunteer, “Margo,” who has been volunteering for the past year or so. Due to physical limitations, she cannot do animal care, so when she is on shift she is also at the front desk.

It can be hard to find volunteers, so Margo was a welcome addition when she first started. There are only a handful of us comfortable staffing the front desk, and she filled in a lot of open shifts. But as time goes on, Margo has rubbed a lot of fellow volunteers the wrong way. There have been complaints about her bossy attitude. She has started stopping in on her days off just to “check in.” One of our other front desk volunteers told me that Margo stopped in and just started doing the front desk duties without even asking her. Margo does not listen to direction from our adoption center manager (who is a bit newer than Margo, so Margo probably thinks she doesn’t know what she’s talking about).

Our adoption center manager (who is paid staff and is supposed to be in charge of the volunteers) asked me to talk to Margo, as a tenured volunteer. How do you tell a volunteer that they are being too bossy and rubbing people the wrong way?

The adoption center manager was wrong to ask you to do that. You’re a peer to Margo, so she isn’t required to listen to you and may figure you’re the one being bossy. Instead, the adoption center manager is the one who needs to do it, since she’s in charge of the volunteers and has the authority and standing to speak to Margo about what needs to change.

As for how she should approach it: straightforwardly! People often feel more awkward about giving feedback to volunteers since they’re not getting paid for their work, but you can’t run an organization effectively without being willing to do it (and if you’re reluctant to, you end up driving off other volunteers who don’t want to work around unaddressed problems). It’s important to ensure volunteers feel appreciated — but not at the expense of never asking them to do anything differently. But again, you’re not the person well positioned to do it, and it’s reasonable for you to go back to the adoption center manager and say, “I thought about this and don’t think I have the standing with Margo to give this feedback. I think it will need to come from you since you manage her and have authority I don’t have.”

3. My boss is trying to crowd out Pride Month

Most of the U.S. knows June is Pride Month, even if they don’t celebrate it. Since last year, my boss has begun painting our front windows in June with “Veteran’s Month” celebration art. I am a veteran and have been/am being asked to provide a picture of me in uniform with a blurb about my service to be played on the screen when you walk in. I managed to blow them off last year as I’m very private at work.

For those who might not know, November is widely celebrated as Veteran’s Month and companies will often give all sorts of discounts then. Everyone generally celebrates November 11th, but that extends to the whole month now through an official designation. By celebrating it in June, I know what my boss is trying to do. I didn’t think it would continue this year, but here we are and now I want to know what paths I might have forward.

Can I even report this to HR? We are in California, but our corporate office is in Texas. I’m worried they won’t care. I am not queer myself, but that shouldn’t matter.

I don’t know that it quite rises to the level of HR unless it’s accompanied by your boss doing other things that seem anti-LGBTQ, but would you be comfortable saying this to him: “As a veteran, I’d be confused if I saw this because Veteran’s Month is always in November. June is Pride Month, so if we want to do something it should be Pride-related or we’ll look like we’re trying to crowd that out, which I know we wouldn’t want.”

And if he ignores that and keeps trying to use a photo of you, be clear that you’re not participating: “June is Pride Month, not Veterans Month, so I’m not comfortable participating.”

4. Candidates who won’t answer interview questions directly

I’ve hit a frustrating wall in my hiring process. I like to run a structured, transparent interview. Every candidate receives the same baseline of information, the same formatted calendar invites with details, and the same five core questions to ensure a fair evaluation.

I set clear expectations from the start: I introduce myself, provide a brief overview of the role, explain that we have five questions to cover, and assure them there is dedicated time for their own questions at the end. I check in and ask if that sounds good. They are always affirmative. These aren’t “gotcha” questions; they are direct, relevant queries about the experience and professional philosophy required for the role.

Despite this clarity, I keep encountering candidates who simply won’t answer the questions. I frequently find myself having to interrupt long-winded, unrelated stories just to restate the original prompt and ask for a direct response.

I work in a people-centered industry, so I appreciate openness and personality, but I refuse to hire on “vibes” alone. My goal is to ensure skills and philosophy are the primary requirements, with personal rapport being a secondary consideration.

How do I handle candidates who dodge straightforward questions without sounding like an interrogator? Is there a way to guide these “storytellers” more effectively, or is an inability to follow a simple interview structure a red flag I should be taking more seriously? Should I rethink my format and my goal of keeping the interview fair and equal? Is there another way to do it?

What portion of candidates are you finding this with? If it’s a majority of them, then I’d think the issue is with your questions — that they need to be more narrowly defined, or that you need to be clearer about exactly what information you’re seeking. Probably that means reworking the initial questions to be clearer, but it’s also fine to interject with, “Let me jump in here — what I’d really like to hear about specifically is X.”

But if most people are answering the questions directly, then it sounds like your questions are working: they are operating as a red flag for candidates who dodge straightforward questions about their experience. Maybe they’re bad communicators or maybe they lack the experience you’re looking for; either way, not giving a straight answer to a straightforward question is a red flag, and it’s fair for you to consider that relevant data as you evaluate them.

I think that because you’re very focused on a transparent and fair process, you’re getting tripped up by “I need their clear answer about X in order to fairly compare their experience with X to other candidates.” But what you’re getting is additional relevant information. Maybe “answers direct questions clearly” isn’t in the matrix you’re currently using to assess people, but for most jobs it should be.

5. Suggesting I consult after I’m rejected for a job

I just had an interview for a job for which I have deep experience in part of what they’re looking for (a technical skill involving specialized equipment), and very little in other parts. I got the sense that the hiring manager was very interested in the things I do know, to the point that I think part of the interview was him picking my brain about how to do something, rather than just assessing my skills.

If I am rejected for not having the other skills, would it be reasonable for me to suggest that I could consult with them for a limited period, possibly to train someone and get their project up and running? I’ve trained colleagues before and it’s something I wouldn’t mind doing (though I would prefer a full-time job!) and my skills are rare enough that they’re not likely to find someone with everything else they want, plus this. Or would it just be weird and out of touch because they would have just rejected me, so obviously they don’t want me working there?

You can make that offer! It’s not weird or out-of-touch to say, “I know you’re moving forward with other candidates for the X role, but if you end up needing someone to consult on Y, I’d love to talk with you about a short-term consulting arrangement to help get the work up and running. If that turns out to be something you might need, please contact me anytime.”

The post I’m being targeted for increasing our health insurance rates, candidates who won’t answer direct questions, and more appeared first on Ask a Manager.

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gominokouhai

September 2021

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